The University of Melbourne has announced its revitalised flagship art museum, the Potter Museum of Art, will reopen to the public during Reconciliation Week on 30 May, next year, with an outstanding new exhibition: 65,000 Years: A Short History of Australian Art.

Described as an exhibition that strives to celebrate the longevity and brilliance of Aboriginal and Torres Strait Islander art, it will run until November 23, 2025, and features more than 400 artworks, including important public and private loans, and new commissions.

The Museum has undergone extensive redevelopment by Wood Marsh Architects and will feature an impressive new entrance on the University's campus, along with new and improved spaces for the Museum's leading collection-based learning programs made possible by the generous support of The Ian Potter Foundation and Lady Primrose Potter AC.

Architectural render of the Potter Museum of Art (The Potter), redeveloped by Wood Marsh Architects. (Image: Potter Museum of Art)

Under the artistic vision and guidance of director of Art Museums Ms Charlotte Day, the revitalised Museum will present exhibitions, programs and learning initiatives that explore key issues and cultural debates, inspired by the University of Melbourne's Art Collection.

65,000 Years: A Short History of Australian Art stares into the dark heart of Australia's art history and is curated by associate Provost Professor Marcia Langton AO, Ms Judith Ryan AM and Ms Shanysa McConville, in consultation with Indigenous custodians.

The exhibition observes the rise to prominence of Indigenous art in Australia and the importance of Indigenous cultural and design traditions, knowledge and agency. Seven major new artistic commissions by leading contemporary First Nations artists will also be unveiled as part of the exhibition.

Professor Langton said the "ironic title of this exhibition refers to the belated and reluctant acceptance of Aboriginal and Torres Strait Islander art into the fine art canon by Australian curators, collectors, art critics and historians in the last quarter of the 20th Century".

"65,000 Years: A Short History of Australian Art celebrates Indigenous art as it is increasingly recognised in galleries and collections around the world - as the greatest single revolution in Australian art."

The exhibition is made possible through a significant donation from principal supporters Peter Mc Mullin AM and Ruth McMullin, and the generosity and leadership of Mr Peter Jopling AM KC, Chairman of the Potter Museum of Art.

"Alongside the recently released Dhoombak Goobgoowana: A History of Indigenous Australia and the University of Melbourne, this program is an important exercise in truth-telling for the University, including histories of scientific racism, and the collecting of ancestral remains," said University of Melbourne Vice Chancellor Professor Duncan Maskell.

"It will provide a vital platform for Indigenous storytelling and encourage dialogue about the importance of Indigenous culture, history and art."

Ms Day said The Potter is uniquely positioned to realise such an exhibition at an important time in Australia's history.

"Since 1853, the University has collected works of art, cultural objects and records that form a profoundly important archive, and for the first time these Indigenous collections will be exhibited together and interpreted by authoritative Indigenous scholars and other leading experts," she said.

Running alongside the exhibition is a significant new educational initiative that will create resources for school and tertiary students and teachers to build a deeper understanding of Indigenous art, history and culture.

These resources will continue to be available beyond the life of the exhibition. The initiative is developed in partnership with the University of Melbourne's signature Ngarrngga Project which builds innovative curriculum resources in collaboration with Indigenous Knowledge Experts.

Ngarrngga is led by Professor Melitta Hogarth, Associate Dean (Indigenous) in the Faculty of Education, in conjunction with Professor Langton, Professor Aaron Corn, Director of the Indigenous Knowledge Institute, and Professor Jim Watterston, Dean of the Faculty of Education.

This month, Thames & Hudson also release a comprehensive publication titled 65,000 Years: A Short History of Australian Art. Featuring new writing by 25 leading thinkers across generations and disciplines, this publication further examines the extraordinary body of artwork in the exhibition across media, time periods, regions and language groups. It is edited by Ms Ryan and Professor Langton.

Other partners whose generosity is enabling this significant program of work include foundational supporters Andy Zhang and Rainie Zhang and Naomi Milgrom AC, publication partner the Gordon Darling Foundation and supporters John Wardle and Judith and Leon Gorr.

The re-openeing and new exhibition is set to put the museum back on the map with both art lovers and critics.

The exhibition is also supported by Creative Australia and Further details about the program will be announced in early 2025.

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