The Aboriginal and Torres Strait Islander Music Production Development Program (ATSI MPDP) concluded an inspiring week of learning, collaboration, and cultural celebration on Friday.

Over five days, participants were guided by some of Australia's most talented Indigenous mentors, developing technical and creative skills to bring their music to life on-country.

Day four began with an introduction to recording techniques and equipment, focusing on microphone placement, preamps, and signal flow.

Mentors Moss, Magoo, Soju Gang, and Trent Starkey demonstrated recording techniques for both traditional instruments, such as the Yidaki and clap sticks, and western instruments including acoustic guitars and drums.

The session transitioned into rhythm track creation, where participants explored beat-making using MIDI controllers and discussed styles that resonated with their unique musical visions.

The afternoon of day four shifted to critical listening and production techniques, with a focus on pre-production and visualising a song's narrative.

Participants worked in mentor-led groups to craft projects that reflected their personal and cultural identities.

Uncle Kev Starkey reflected on the program.

"To be able to watch my Country Men and Women grow and find themselves, culturally alongside their true passion for music, was the most amazing thing I have ever experienced," he said.

Day five emphasised cultural considerations in music production.

Participants learned about recording on-country and preserving traditional languages, stories, and songs for future generations.

Moss led sessions on setting up studios and recording vocals, offering practical tips for culturally respectful creation.

The afternoon explored technical aspects such as editing, EQ, and compression in Ableton, blending clinical and creative approaches to audio manipulation.

Throughout the week, mentors Moss, Trent Starkey, Magoo, Andy Ward, and Soju Gang provided invaluable insights into songwriting and production.

Each brought unique expertise, helping participants work on individual songs and build confidence in their abilities.

Wiradjuri and Yolŋu man Danny Batjula highlighted the program's impact.

"This week has been amazing," he said.

"It's given me confidence and makes me feel like I can take that back into community.

"It means that I can put that forward to other young people."

For Trent Starkey, the program was a mutual learning experience.

"I've learned something from everyone this week," he said.

"That just increases my repertoire to take back to the people I share with on a regular basis."

Dhoeybaw man from Dauan Island and artist Mau Power found the program reinvigorating.

"My approach to production is more collaboration," he said.

"I love to work with great people. Coming back to learn the foundations reignited the passion for me."

Participants left the program with complete DIY studio setups, ready to continue their creative journeys.

Wuthathi/Mirning and Gimuy woman Yirgjhilya, expressed her excitement about applying her new skills.

"I'm extremely excited to go home and have a good crack at my work," she said.

"I finally have the resources, knowledge, and support to get these songs up and going."

Torres Strait Islander man from St Paul's Village on Moa Island, Bala Kaijo, reflected on the immersive experience.

"I thoroughly enjoyed the week," he said.

"It's been the best week in regards to my music that I've had.

"Even though it's overwhelming with all of the information, I'm just buzzing."

Uncle Kev summed up the program's success, calling it one of the most meaningful cultural engagement initiatives he has been part of.

"The ATSI MPDP 2024 has been one of the most meaningful cultural engagement programs for Aboriginal and Torres Strait Islander Peoples in the music industry I have ever seen or been a part of," he said.

"I would like to thank all of the supporting partners from myself as the Director of Darkwood Studio Record Label Service.

"ArtsQLD, UniSC, Ableton International, TAG Technical Audio Group, Nakarma Arts, Turramurra Music Centre, and AT Audio Technica, for their unwavering support for this program. Without your support, my vision would not have been possible."

The program leaves a lasting legacy, equipping Indigenous artists with the tools, knowledge, and confidence to create music that reflects their culture and individuality.

Uncle Kev also acknowledged this publication's coverage of the program.

"Thank you to the National Indigenous Times for all of the amazing work they have done covering the ATSI MPDP 2024," he said.

The ATSI MPDP 2024 has set the stage for a future where Indigenous artists are equipped to lead and inspire their communities through music.